Isabel Nolan’s ‘Calling on Gravity’ – REVIEW
By Ciara Kummert Isabel Nolan, Partial eclipse, mild steel, paint, fabric and dye. Credit: Kerlin Gallery As a five-year-old girl curious about the world around me, I remember trying to catch my […]
By Ciara Kummert Isabel Nolan, Partial eclipse, mild steel, paint, fabric and dye. Credit: Kerlin Gallery As a five-year-old girl curious about the world around me, I remember trying to catch my […]
By Maia Mathieu Wading through the chaos of Friday evening in Temple Bar is an interesting prelude to the Gum Collective‘s one-night-only exhibition “Unexpected Item in the Bagging Area”. The […]
“By the end of the day, Bacon’s coffee almost definitely got spiked with turpentine despite best attempts to segregate the two, and taking a swig and realising this may have poisoned his mood (just as it was, to some degree, his body) and may have affected his work. Can we understand the studio without these kind of details that can only be understood in action?”
By Stacy Wrenn In an age of instant gratification it is becoming increasingly difficult to satiate the needs of our miniature adults, with small screens taking over our retinas. State […]
By Muireann Walsh One of my favourite ways to immerse myself in a new and unfamiliar city is by delving into its artistic side. Art and architecture reveal the […]
By Emma Meehan My favourite pieces are those which prompt the most visceral initial reactions, and continue to demand those same involuntary responses every time I lay my eyes on […]
By Alexandra Day. Babies aren’t inherently unpleasant looking beings. Sure, some might look a little wrinkly or bruised at first, but overall these little people are not known for their […]
By Isabelle and David Nolan “Lucian Freud along with Francis Bacon were probably the greatest portrait painters of the twentieth century. The collection of 30 oil paintings and 20 works […]
Alan Bennett once wrote, “The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.” I’d had that experience through books, poetry and words, but had been struggling deeply with an ineffable reality of constant pain.
By Ciara Kummert. National Gallery of Ireland Vermeer and the Masters of Genre Painting: Inspiration and Rivalry This exhibition explores the intricate network of relationships between Vermeer and Dutch genre painters of […]