We need a new history – EDITORIAL
By Stacy Wrenn This title may sound like an oxymoron upon first glance, how can you have a newer version of something that’s entire basis is in the past? What […]
Category Archives: Art
The mediating revolutionary
By Ciara Kummert It seems incredibly contradictory that an artist living in the nineteenth and twentieth century would have painted portraits for both the aristocracy while also being […]
The fetishisation of radical politics
By Maia Mathieu You know her unibrow, even if you don’t know her art. Since celebrities like Madonna discovered her art in the early nineties, Frida Kahlo has become a […]
The Biggest Questions Facing Artists Today
By Mollyrose Lee In an article by The Guardian earlier this month, several artists working across a range of mediums were asked what the biggest issue they faced was, reflecting […]
Revival as a form of revolution
By Fiona McLoone The giant billboards and moving visual displays we are confronted with on the streets of Dublin are very dependent on both digital printing and vinyl […]
The weapon of a revolution
By David Boyd During the twentieth century, artworks had the ability to mobilise audiences behind political ideologies, and some of the most progressive developments in the use of […]
The power of living art
By Weronika Kocurkiewicz Performance art, or living art, is considered to be the most radical medium and is generally acknowledged to have revolutionised and shaped the way we perceive art […]
Kristjana S. Williams – Artist Profile
By Aoife O’Donoghue The work of Kristjana S. Williams, a fine art illustrator, is a unique affair. A combination of hand-drawing and collage work, she has used a quote from […]
Francisco Goya’s ‘The Disasters of War’ – REVIEW
By Will Abbott Francisco Goya (1746-1828) is considered to be the most important Spanish painter of the eighteenth and nineteenth centuries for his contribution to commentarial art – the summa […]
Remembering: Linda Nochlin (1936-2017)
By Charlotte Lee The statement that “there have been no supremely great women artists” is, admittedly, an unexpected basis for the most influential feminist essay in art history. Or, for […]
THE BRIDGE 