We need a new history – EDITORIAL
By Stacy Wrenn This title may sound like an oxymoron upon first glance, how can you have a newer version of something that’s entire basis is in the past? What […]
By Stacy Wrenn This title may sound like an oxymoron upon first glance, how can you have a newer version of something that’s entire basis is in the past? What […]
By Ciara Kummert It seems incredibly contradictory that an artist living in the nineteenth and twentieth century would have painted portraits for both the aristocracy while also being […]
By Maia Mathieu You know her unibrow, even if you don’t know her art. Since celebrities like Madonna discovered her art in the early nineties, Frida Kahlo has become a […]
By Mollyrose Lee In an article by The Guardian earlier this month, several artists working across a range of mediums were asked what the biggest issue they faced was, reflecting […]
By Fiona McLoone The giant billboards and moving visual displays we are confronted with on the streets of Dublin are very dependent on both digital printing and vinyl […]
By David Boyd During the twentieth century, artworks had the ability to mobilise audiences behind political ideologies, and some of the most progressive developments in the use of […]
By Weronika Kocurkiewicz Performance art, or living art, is considered to be the most radical medium and is generally acknowledged to have revolutionised and shaped the way we perceive art […]
By Aoife O’Donoghue The work of Kristjana S. Williams, a fine art illustrator, is a unique affair. A combination of hand-drawing and collage work, she has used a quote from […]
By Will Abbott Francisco Goya (1746-1828) is considered to be the most important Spanish painter of the eighteenth and nineteenth centuries for his contribution to commentarial art – the summa […]
By Charlotte Lee The statement that “there have been no supremely great women artists” is, admittedly, an unexpected basis for the most influential feminist essay in art history. Or, for […]